Stratofanatic's Emporium

New Poets of Rum Ram Ruf: The Hitches [ Last week, I discussed Tolkien’s poem in dróttkvætt meter, “The Derelicts,” and showed how “Black Heave the Billows” is in ljódaháttr meter. This helps date both texts to 1932-1934. As I’ll show here, however, the picture is actually more complicated than that . ] Click here to read Parts 1 & 2 for this entry. Click here to  read Part 3 . The Problem To pick up where I left off last week, I’ve been arguing that Tolkien’s four poems in Norse meters all appeared roughly together during the period of 1932–1933. By relying on metrical form rather than subject matter, I also avoid the problem of why Tolkien might have chosen Old Norse meters for Old English subject matter. That problem is mainly why I hesitated with the dating provided by Scull and Hammond. After all, they linked “The Derelicts” with Tolkien’s first lectures on the old Germanic legend of Finn and Hengest, which in my view puts the poem two years too soon, and they also link

New Poets of Rum Ram Ruf:  Tolkien the Skald [ Last week, I outlined the shape of Tolkien’s career as an alliterative poet and noted his immense productivity between 1932 and 1934 – the moment he turned to Old Norse meters. Now I’ll tackle specific issues with his two shorter Old Norse poems . ] Click here to read Parts 1 & 2 of this entry. Click here to read Part 4 . Tolkien’s “Lost” Stanzas: The Derelicts If your puppy ever runs away from home, everyone knows what to do. First you search. Then you plaster posters on telephone poles. Then you panic. Though not in that order. Personally, I prefer panic first. But if your poem runs away from home, well, that’s a tougher situation. To be fair, the story behind Tolkien’s dróttkvætt sequence “The Derelicts” doesn’t relate directly to whenever he wrote anything, but the tale’s too good to pass up. These stanzas first came to my attention when researching skaldic meters for Speculative Poetry and the Modern Alliterative Reviv

New Poets of Rum-Ram-Ruf: The Norse Connection Click here to read Part 3  for this entry. Click here to  read Part 4 . Introduction: The Versatile Revivalist So far in this series, I’ve tended to tackle either individual poets (C. S. Lewis, Amit Majmudar, etc.) or specific issues such as SF or fan verse. Now let’s sneak a peek at what happens by focusing on a specific alliterative tradition in the Modern Revival – namely, Old Norse. So here’s a riddle for you. What do medieval Norse skalds – folks like Thjódólf of Hvinir or the legendary Bragi Boddason – have in common with medieval English poets wise in the ways of alliterative poetics? People like Cædmon, William Langland, and whoever the hell wrote Beowulf. Not much, actually. Got you with a trick question! So, yeah … this riddle’s somewhat like Bilbo asking Gollum what’s in his pockets. Although us moderns might study a wide range of medieval texts side by side – thank you, anthologies – in the Middle Ages, obviously, most p