Garth Nix and the Abhorsen trilogy

So, a bit ago while composing my fantasy syllabus, I was embarrassed that coming up with female protagonists for fantasy novels gave me such a hard time. Not that there's a whole lot out there, but still. Anyway, I took it upon myself to try correcting that particular hole in my fantasy literary knowledge. My first excursion was into Tamora Pierce's Alanna, a 1984 fantasy text. That experiment, shall we say, was not a success. The protagonist, Alanna, pretends to be a boy so that she could become a knight, but the plot (and characterization) was so dull and predictable that I could barely finish the novel.

Then I tried Garth Nix's Abhorsen trilogy. . . . 

Quite impressive, I must say. I wouldn't necessarily place it in the first rank of fantasy fiction (the series is almost all plot), but that plot is fantastic and captivating, the world-creation truly unique, and Nix's style is admirable. I read the first book, Sabriel, constanty surprised at how quickly it went; I think I loved the first half of Lirael, the series's second book, most of all.

A few notes:

• One comment made by Edward James during his luncheon speech was that the best contemporary fantasy overwhelmingly comes from Australia, and Nix certainly fits that bill.
• Nix has two kingdoms -- the Old Kingdom where magic works, and Ancelstierre where technology (about WWI level) works.
• The magic systems is intriguing. Rather than spellbooks, the main vehicle for magic is spellcasting.
• There's very little foreign policy -- a very marked contrast from, say, George R. R. Martin. The two kingdoms go about their business, and that's pretty much that.
• The series doesn't have very many minor characters. As a result, the series gives off the impression that the main protagonists and/or antagonists are the only people who matter. Most of the subjects of either kingdom go unnamed, and they're entire purpose is usually to be murdered horribly by the Dead.
• Speaking of that, the citizens of the Old Kingdom are so constantly being slaughtered by the dead that it's hard to imagine their country having any kind of economy.
• Disreputable Dog and Moffet the cat are truly great characters -- loved every minute of them.
• I did think that Nix has major skill as a stylist -- nothing flashy or obtrusive, but powerfully effective nonetheless. I like to tell my more elitist colleagues that you only notice the style in bad books, but I nonetheless caught myself trying to figure out how how Nix managed to write individual scenes or paragraphs with such precision.