Poul Anderson and Old Norse Poetry in Translation

So, by dint of my work on Paul Edwin Zimmer's poetry, who once dubbed J.R.R. Tolkien and Poul Anderson as his "literary masters," I'm now delving into what Poul Anderson has done poetry-wise . . . .

 . . . and this has proven to be quite an interesting task. I'm pretty much getting all my information on Anderson's poetry from the wonderful Science Fiction and Fantasy Research Database, and, while some of it has been reprinted in widely scattered -- and hard to find -- volumes of work, much of it first appeared, and continues to only appear, in the famous sff fanzine Amra. This was a great home for many 1960s sword and sorcery authors, including Lin Carter, L. Sprague DeCamp, and of course Anderson. So my weekend was spent basically interlibrary loaning hoards and hoards of Anderson poetry which appeared in the fanzine over the course of the decade.

 Many of the poetry, intriguingly, is not original to Anderson; it's almost entirely translations from Old Norse (which largely echoes the alliterative metre of Old English). With any luck, it should start arriving within the week. Looking forward to it.

Comments

Post a Comment

Popular posts from this blog

Genre Fantasy Bestsellers through 1990

Image
I've been studying Keith Justice's Bestseller Index , which compiles information from two separate bestseller lists -- New York Times Book Review and Publishers Weekly -- up through 1990, and the results are ridiculously fascinating. For instance, you wanna take a stab at which SFF author has the most individual books appear on a bestseller list? No, it ain't Heinlein, Clark, Herbert, or Asimov. It's not even Terry Brooks or David Eddings. No, the answer is Piers Anthony ... and even if you somehow pulled that name out of thin air, you'll still never guess how truly dominate Anthony was. Up through 1990, Anthony had more than double than number of distinct bestsellers than the next most frequent bestseller, Anne McCaffrey. Whereas Anthony had an astounding  22 different books appear on a bestseller list, McCaffrey had "only" 9.** Now, caveats. These numbers need to be taken with one (or two) grains of salt. For instance, although Anthony had 22 two distin...
Read more

A Look at Charles R. Saunders and "Sword & Soul"

Image
So, I've been reading lately about Charles R. Saunders, the black author of sword-and-sorcery fiction, and man .... poor guy. If there's been ever a case of someone being born about 30 years too soon, it's Saunders. Usually, when people mention about black S&S authors, they mean Samuel R. Delany. This makes sense. As a queer, Marxist deconstructionist, Delany established his street cred first by writing SF before wading into the "gutters" (ahem) of S&S fantasy. (Sidenote: are there any black fantasy writers except maybe Jemisin who didn't first establish their street cred by writing SF?). Although I personally never much cared for Delany's  writing style or Nevèrÿon books , which are basically what happens when someone who holds a subgenre in contempt decides to write in that subgenre, it is true that academic critics love Delany .... especially critics who hate S&S themselves. So if they mention Saunders at all, which is rare, it's usuall...
Read more

NEW POETS OF RUM-RAM-RUF: Zach Weinersmith & Boulet

Image
In the opening paragraph of my metrical appendix to Speculative Poetry and the Modern Alliterative Revival , I raised a conundrum: how do revivalists today officially arrive at an alliterative meter? The question’s a good one. In every case known to me, at least in English, revivalists never “grow up” with alliterative poetics. They don’t – they cannot – know the meter on an intuitive cultural knowledge, not as medieval skalds or scopas did. In other words, the meter has been moribund for centuries, and if young poets today – those crazy kids – experiment with alliteration at all, it is only of the ornamental variety. That’s what tongue twisters teach you: the rum-ram-ruf of sounds jingle-jangling together. Accordingly, if revivalists know what they are doing at all, they deploy a poetic form learned only as an adult. Someday, though, I hope to eat those words – or at least chew them slowly. The parties responsible are author Zach Weinersmith and the artist Boulet, the creators of a w...
Read more