Well, retweeted by Beagle's publicity team, most likely, but it's still cool. But apparently they were happy to see the new entries ("Peter S. Beagle" & The Last Unicorn) in The Literary Encyclopedia.
I've been studying Keith Justice's Bestseller Index , which compiles information from two separate bestseller lists -- New York Times Book Review and Publishers Weekly -- up through 1990, and the results are ridiculously fascinating. For instance, you wanna take a stab at which SFF author has the most individual books appear on a bestseller list? No, it ain't Heinlein, Clark, Herbert, or Asimov. It's not even Terry Brooks or David Eddings. No, the answer is Piers Anthony ... and even if you somehow pulled that name out of thin air, you'll still never guess how truly dominate Anthony was. Up through 1990, Anthony had more than double than number of distinct bestsellers than the next most frequent bestseller, Anne McCaffrey. Whereas Anthony had an astounding 22 different books appear on a bestseller list, McCaffrey had "only" 9.** Now, caveats. These numbers need to be taken with one (or two) grains of salt. For instance, although Anthony had 22 two distin...
So, I've been reading lately about Charles R. Saunders, the black author of sword-and-sorcery fiction, and man .... poor guy. If there's been ever a case of someone being born about 30 years too soon, it's Saunders. Usually, when people mention about black S&S authors, they mean Samuel R. Delany. This makes sense. As a queer, Marxist deconstructionist, Delany established his street cred first by writing SF before wading into the "gutters" (ahem) of S&S fantasy. (Sidenote: are there any black fantasy writers except maybe Jemisin who didn't first establish their street cred by writing SF?). Although I personally never much cared for Delany's writing style or Nevèrÿon books , which are basically what happens when someone who holds a subgenre in contempt decides to write in that subgenre, it is true that academic critics love Delany .... especially critics who hate S&S themselves. So if they mention Saunders at all, which is rare, it's usuall...
In the opening paragraph of my metrical appendix to Speculative Poetry and the Modern Alliterative Revival , I raised a conundrum: how do revivalists today officially arrive at an alliterative meter? The question’s a good one. In every case known to me, at least in English, revivalists never “grow up” with alliterative poetics. They don’t – they cannot – know the meter on an intuitive cultural knowledge, not as medieval skalds or scopas did. In other words, the meter has been moribund for centuries, and if young poets today – those crazy kids – experiment with alliteration at all, it is only of the ornamental variety. That’s what tongue twisters teach you: the rum-ram-ruf of sounds jingle-jangling together. Accordingly, if revivalists know what they are doing at all, they deploy a poetic form learned only as an adult. Someday, though, I hope to eat those words – or at least chew them slowly. The parties responsible are author Zach Weinersmith and the artist Boulet, the creators of a w...
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