White Male Bashing as Criticism -- the LARB review of Bladerunner 2049
So, I just finished reading the Los Angeles Review of Books review of Bladerunner 2049 . For the record, I loved the film. The themes were intellectually engaging, the score impressive, and it handled its characters with intelligence and respect. All in all, I consider it an exemplary sequel. The writer of the LARB review, alas, does not. I should clarify that when I call this a "poor" review, I do not mean in the technical sense. Wendy Hui Kyong Chun clearly has a great grasp of film technique, and her actual writing is lucid and engaging. Instead, what I mean is the refusal to see the film on its own terms -- preferring, rather, to see in one's own ideological/political lens, and then drenching the film in invective. The discussion of BR2049 on the IAFA listserv actually made many of Chun's main points last month, but she assembled them into a single article, so I'll tackle the review here. Her basic idea is to look for why the film has faile